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She may not imbue the character with much more depth than the script allows her, but she at least hooks the viewer with an unshakeable charisma, making for a believable point of obsession. Wonders manages to do a respectable job at elevating City on Fire’s noxious revival of the manic pixie dream girl to something slightly more material. That’s a substantial offense, considering all of the talents liable to find themselves in the series’ rubble. Hell, the wall nearly collapses from the sheer weight of all of the nonsense hanging off of it. City on Fire reveals itself to be the ultimate example of throwing anything and everything at the wall, hoping it will stick.

Its source material’s exorbitant length might be why the writers of the adaptation often lob several ideas into the air, forgetting to look at where they might land by the time the first season closes. Garth Risk Hallberg’s 2015 novel of the same name clocks in at a whopping 900-some pages, a fact that most of its reviews cited as a hindrance to its quality. Naturally, this is in part because Charlie has been secretly pining over Sam, a feeling that will only cloud his better judgment when he learns what Sam had secretly been involved in.Ī large part of this disconnect is likely due to the fact that this is an adaptation of a massive novel. Sam’s best friend, Charlie (Wyatt Oleff), grows desperate to find out the truth behind what happened to her. But the victim, an NYU freshman named Sam (Wonders), is surprisingly well-connected, and the event soon lures everyone that was into her orbit into a complex web of secrets. The show unsuccessfully scrambles to keep its early promise from falling through its fingers, with a collection of truly unbelievable plot twists and hilariously hammy acting choices that pour gasoline all over an already raging flame.Ĭity on Fire tracks the evolving puzzle that surrounds a seemingly random shooting in New York’s Central Park on July 4, 2003. But throughout its eight-episode first season, City on Fire is weighed down by its potential.

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If that was the intention-to grip viewers by way of increasingly absurd, nonsensical, and frustrating plot points-Apple TV+’s new drama City on Fire (premiering May 12) could actually be considered a raging success.Ĭreated by the genius minds behind the original Gossip Girl, Josh Schwartz and Stephanie Savage, City on Fire certainly has enough going for it: a crack team of creators and writers with a proven track record for dishy teen dramas an ensemble cast with recognizable faces like Chase Sui Wonders, Jemima Kirke, and Nico Tortorella and even a pretty damn good pilot episode that nimbly sets the show up for a riveting mystery. Ah, how I’ve missed that sweet feeling, the sensation of traversing deeper into the pits of televised hell at every turn.